The rules of sega dancing are quite specific. The dancers take short lateral steps with a suggestive swaying of the hips. They dance in couples, the man facing the woman. Sometimes, he turns around her or moves off seeming to have lost her, only to come close together again, brushing against one another without ever touching. Sometimes another man moves in between the dancer and his partner: this is called "cutting". The woman goes on to dance with him until it is her turn to be cut. The couple periodically crouch down before each other with a constant "shimmy of the pelvis": their bust meet and they lean over onto each other, taking it in turn to dip over backwards, until they touch the ground only to come back up to lean over their partner. This step, called "en bas en bas" ( down low), symbolises the sexual act. An act sublimated and transcended since the bodies never actually touch. Musicians and dancers communicate all the time, intense excitement being highlighted by the rhythm, onomatopoeia and short, snappy interjections ( alaila, mo vini, bouze to le reins, en bas et toi, bouze..... move it, get down there, go for it, your turn....)
This is a non for profit space created to promote Mauritian Creoles that are black and of mixed heritage that today represent a minority on the island. The aim of this blog is to discover the music from both the past and the present. This journey will also cover both the traditional and historical past of the island that also helped shape the musical landscape over the years. This space has no political purpose and in no way intends to discriminate against anyone.
Thursday, 28 October 2010
The Dance
The rules of sega dancing are quite specific. The dancers take short lateral steps with a suggestive swaying of the hips. They dance in couples, the man facing the woman. Sometimes, he turns around her or moves off seeming to have lost her, only to come close together again, brushing against one another without ever touching. Sometimes another man moves in between the dancer and his partner: this is called "cutting". The woman goes on to dance with him until it is her turn to be cut. The couple periodically crouch down before each other with a constant "shimmy of the pelvis": their bust meet and they lean over onto each other, taking it in turn to dip over backwards, until they touch the ground only to come back up to lean over their partner. This step, called "en bas en bas" ( down low), symbolises the sexual act. An act sublimated and transcended since the bodies never actually touch. Musicians and dancers communicate all the time, intense excitement being highlighted by the rhythm, onomatopoeia and short, snappy interjections ( alaila, mo vini, bouze to le reins, en bas et toi, bouze..... move it, get down there, go for it, your turn....)
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment